In a span of two decades, 11 recordings and countless stage performances, Marie has cemented her reputation as not only a singer but also a composer, arranger, theatrical performer and teacher. Guided and tempered by powerful life lessons and rooted in jazz traditions laid down by Ella Fitzgerald, Dinah Washington and other leading ladies of past generations, Marie borrows various elements of folk, R&B and even classical and country to create a captivating hybrid style. Her body of work is musical, but it’s more than just music. It’s an exploration of the bright and dark corners of the human experience, and an affirmation of the power of the human spirit.
Marie’s self-produced CD, Renaissance, was released in 1999. In 2000, she signed onto the MaxJazz label and recorded four more over the next four years: How Can I Keep from Singing? (2000), Vertigo (2001), Live at Jazz Standard (2003) and Serene Renegade (2004). She parted ways with the label in 2005 as part of a strategy to take more control of her own career track. She moved to Denver, where she recorded and co-produced her sixth CD, Experiment in Truth, released in 2007. She also focused her musical and acting talents on a one-woman stage show, Slut Energy Theory: U’Dean, a play about overcoming abuse and incest. The play premiered in October 2009, and the soundtrack, released by the end of that same year, was the seventh installment in her discography.
She joined the Motéma label with the 2011 release of Voice of My Beautiful Country, followed later that same year by Black Lace Freudian Slip. Her 2013 followup, I Wanna Be Evil: With Love To Eartha Kitt, earned a Grammy nomination in the Best Jazz Vocals category.
The newest installment in her body of work is Sound of Red, a CD set for release on Motéma in April 2016. It’s her first album of all-original material, an 11-song set that provides insightful glimpses into the many small but profound turning points that are part of an individual life. Marie’s clever songcraft and sensual vocal delivery make those personal moments not only meaningful but enlightening to a broad audience.
Tickets may be purchased online at Bucknell.edu/BoxOffice or by calling 570-577-1000. They are also available in person from several locations including the Weis Center lobby (weekdays 10 a.m. to 4 p.m.) and the CAP Center Box Office, located on the ground floor of the Elaine Langone Center (weekdays 10 a.m. to 4 p.m.).
For more information about this event, contact Lisa Leighton, marketing and outreach director, at 570-577-3727 or by e-mail at email@example.com.